Jazz musicians love to play on dominant 7th chords. Note that this line is just a descending Ab melodic minor scale, or G altered scale starting on Ab. The Altered Scale â Bass Practice Diary â 16th April 2019. A Gâ Altered scale consists of Gâ, G, A, Bâ, C, D and E notes. Note Labels. This first example shows how a descending altered scale can be used to outline a ii-V-I. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - G Guitar Tuning: Scale Advanced Options. In C altered, we have an Ab (aka G#), which is also the b13, but chords marked with b13 do not imply the altered scale. What makes this line work musically is that it finishes on G in the next bar. Find guitar scales using graphic interface. The Altered Dominant Scale. The Diminished-wholetone Scale. Flats. See diagrams at Standard Guitar. G is the fifth of C, a strong chord tone. Understand the tritone substitution relationship to the altered scale. The tritone sub of G7 is Db7. And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. Sharps. A Search Engine for Musical Scales. Altered Scale in G is a minor scale with flat second, flat fourth and flat fifth intervals. G Altered Scale. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. This scale is also known as: The 7th mode of the G# Melodic Minor Scale. Notice that I chose to use the B instead of the Cb which of course is the actual 3rd in Ab melodic minor. Fret. The chord most closely associated with this scale is Gm7b5 . Raise the 11th of Db7 (Raise the F# to G so the scale does not contain the major seventh of G7) making the chord Db7#11 and youâve got the exact same notes as the G altered scale. b5, even though it is found in the altered scale, usually implies the whole tone scale. Adjust the "start fret" option to further highlight a finger pattern for playing the selected scale in a different position on the fretboard. Hereâs the Ab melodic minor scale in the 9th position: Since G altered is the same as Ab melodic minor I have listed the diatonic chords here below. Altered Scale in All Keys Root. b13 usually implies the 5th mode of the melodic minor scale. The G altered scale is the same is an Abm melodic scale: If you play this scale in diatonic chords youâll notice that it does not have a G7 as a diatonic chord on G, so we have to look a bit harder to find a G7 arpeggio at all, again something that is making it difficult for a lot of students. The Superlocrian Scale. b9b13 implies the fifth mode of the harmonic minor scale (aka mixolydian b9 b13). So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. 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